Radio Manager

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Audio settings for a production

Balance the voice, background sound and silences

What are audio settings for?

When you create a production, the platform assembles two elements: the voice generated by the AI and, if you have chosen one, the background sound. The audio settings give you control over this assembly: the volume for each element, and how much silence to add before and after the voice.

You will find them in two places:

  • Before generating, in the "Advanced settings" accordion on the creation pages.
  • After generating, in the audio editor of a production, which lets you fine-tune the mix without spending any credits.
Good to know: There is no standalone mixing module on the platform, nor any automatic ducking of the music under the voice. The levels you set are applied as-is, from the beginning to the end of the file.

The "Advanced settings" accordion

On the creation pages for "Spots", "Jingles" and "Voice Tracks" (under the "Production" menu), an "Advanced settings" block is available below the form.

  • It is closed by default: only open it if you wish to adjust something.
  • If you leave it untouched, the default values are used, and they are suitable for the vast majority of productions.
Tip: For your very first production, leave the accordion closed. Listen to the result, then only adjust what bothered you — in the editor, without recreating the production.
Example

Radio Soleil is producing its very first jingle. The right approach: don\'t open anything.

Accordion closed→ Generate→ Listen→ Adjust in the editor

The values applied are then 100 % voice, 15 % background, 1.0s intro and 1.0s outro.

Why: adjusting settings blindly before hearing anything wastes credits. Corrections made in the editor, on the other hand, are free.

The "Advanced settings" accordion, below the creation form
The "Advanced settings" accordion, below the creation form Click to enlarge

"Voice volume"

This slider is always visible in the accordion, with or without a background sound.

  • Range: from 50 % to 200 %, in steps of 5 %.
  • Default value: 100 %.
  • The markers at 50 %, 100 % and 200 % are displayed below the slider, and the current value just above it.

Lower it if the voice is overpowering your music, raise it if it sounds too recessed. Beyond 150 %, the result can become harsh: always check by listening.

Good to know: The final mix goes through automatic level normalisation, so that all your productions are broadcast at a comparable volume. The voice volume setting therefore mainly affects the balance between the voice and the background, rather than the overall volume of the file.
Example

Studio Nova produces two items on the same day: a punchy jingle and a calm feature. Only this slider changes.

  • Jingle "Studio Nova, the radio that moves you", 8 seconds — Voice volume 120 %.
  • Feature "The gardening tip", 2 minutes — Voice volume 100 %, the default value.

Why: in a jingle, the voice needs to cut through music that is intentionally prominent. In a feature, the voice is already front and centre: raising it would only make it harsher.

The voice volume slider, from 50 % to 200 %
The voice volume slider, from 50 % to 200 % Click to enlarge

"Background sound options"

This block only appears if a background sound is selected in your production. Without a background, there is nothing to balance: the section remains hidden.

The first setting is "Background volume":

  • Range: from 5 % to 50 %, in steps of 1 %.
  • Default value: 15 %.

15 % is intentionally subtle: the music should support the voice, not compete with it. Raise it towards 25–30 % for a jingle where the music carries the energy, and lower it towards 10 % for a long, speech-heavy message.

Tip: Can\'t find the intro and outro settings? It is almost always because no background sound has been selected yet. Choose one and the block appears immediately.
Example

Studio Nova revisits its two productions and balances the music under the voice.

  • Punchy jingle — Background volume 30 %, Voice volume 120 %.
  • Calm feature — Background volume 10 %, Voice volume 100 %.

Why: a jingle lasting a few seconds is remembered for its music; a two-minute feature is followed for its words. At 30 % on a feature, listeners will tune out after thirty seconds.

The "Background volume" slider, from 5 % to 50 %
The "Background volume" slider, from 5 % to 50 % Click to enlarge

"Intro (before the voice)" and "Outro (after the voice)"

These two settings, side by side under "Background sound options", define the voice-free silences at the beginning and end of the production. The background sound plays throughout these moments.

  • "Intro (before the voice)" — the duration of music alone before the voice starts. From 0 to 5 seconds, in steps of 0.5 seconds. Default: 1 second.
  • "Outro (after the voice)" — the duration of music that continues after the last syllable. From 0 to 5 seconds, in steps of 0.5 seconds. Default: 1 second.

Note the unit: these values are expressed in seconds, and displayed as such ("1.0s"). They are not milliseconds. Setting 5 therefore adds a full five seconds of music, not five milliseconds.

Good to know: These silences increase the duration of the final file. If your spot must fit a specific format, factor them into your calculation: an intro and an outro of 2 seconds each add 4 seconds in total.
Example

The same two productions, with contrasting silences.

  • Punchy jingle — Intro 0.0s, Outro 0.5s: the music and voice start together — instant impact.
  • Calm feature — Intro 2.0s, Outro 3.0s: the music settles in, then fades out gently.

For a 30-second advertiser spot, an intro of 2.0s and an outro of 2.0s use up 4 seconds: the spoken text must therefore not exceed 26 seconds.

Why: a jingle that opens with two seconds of music alone loses all its punch, whereas a feature that cuts off abruptly sounds like a technical fault.

The intro and outro sliders, from 0 to 5 seconds
The intro and outro sliders, from 0 to 5 seconds Click to enlarge

Fades

The background sound is never cut abruptly: the platform automatically applies a fade-in at the beginning and a fade-out at the end, to avoid harsh starts and sudden cuts.

The fade-out is aligned with the end of the voice, so that the music dies away cleanly once the message is finished. If the chosen background is shorter than the production, it is looped as many times as necessary.

You can adjust these fades yourself in the audio editor, using the "Fade-in" and "Fade-out" sliders, from 0 to 5 seconds in steps of 0.5 seconds. When the editor opens, they are set to 0 s for the fade-in and 2 s for the fade-out.

Example

In the audio editor, Studio Nova finalises its two productions with the fades.

  • Punchy jingle — Fade-in 0 s (the opening value), Fade-out 0.5 s.
  • Calm feature — Fade-in 1.5 s, Fade-out 3 s.

Why: the 2 s fade-out set when the editor opens suits most cases, but it swallows the final note of a short jingle. Bring it down to 0.5 s whenever the production is under ten seconds long.

The "Fades" card in the audio editor
The "Fades" card in the audio editor Click to enlarge

The audio editor: fine-tune without spending credits

Once the production has been generated, open its details page and click the "Editor" button. You arrive at a two-track workspace: "Background sound" at the top, "Voice" below, each with its waveform and duration.

The available settings are grouped into cards:

  • "Voice position" — "Delay before the voice starts over the background sound", from 0 to 30 seconds. This is the equivalent of the intro, with a wider range.
  • "Volumes" — one slider for the "Background sound" (at 15 % when the editor opens) and one for the "Voice" (at 100 %), both ranging from 0 to 100 %.
  • "Fades" — "Fade-in" and "Fade-out".
  • "Trim" — a "Start" and an "End" to keep only the useful portion of the background sound.

You can also change the background sound using the "Change" button on the track, and remove a section of the voice: click and drag on the waveform to select a region, then use "Delete" in the selection bar.

Tip: Compare before saving: the "Original" button replays the source tracks, while the "Preview" button renders and plays the mix exactly as it will be saved.
Example

Ambiance FM has generated a 2-minute feature: the text is perfect, but the music is drowning out the voice. No need to regenerate.

Production details page→ "Editor" button→ "Volumes": Background sound at 8 %→ "Preview"→ "Save"

The "Voice" slider stays at 100 %: only the background is lowered, from 15 % to 8 %. "Preview" plays the actual mix, "Original" lets you re-listen to the starting point. Confirm "Save changes?".

Why: the text has already been paid for. Relaunching the generation would spend more AI credits on a problem that a single slider can fix, and you would lose the take you liked.

The two editor tracks: background sound in green, voice in purple
The two editor tracks: background sound in green, voice in purple Click to enlarge
The four settings cards: voice position, volumes, fades, trim
The four settings cards: voice position, volumes, fades, trim Click to enlarge

Credits: what costs, what is free

This is the key distinction to remember.

  • Generating the voice consumes AI credits, at the time the production is created. Each new generation is a new expense.
  • Making adjustments in the audio editor costs no credits whatsoever. Volumes, voice position, fades, background trimming, changing the background sound, removing a section: all of this reworks files that have already been produced.

In other words: if the text is right but the result does not sound the way you want, do not relaunch the generation. Open the editor, make your corrections, click "Save" and confirm "Save changes?". You can return to the editor as many times as you like.

Good to know: The editor is only available if the production already has an audio file. A production that is still being generated, or that has encountered an error, has nothing to edit.
Example

Ambiance FM finishes polishing its feature in three editor sessions on the same day.

  • Session 1: background lowered to 8 % — 0 credits.
  • Session 2: fade-out extended to 3 s — 0 credits.
  • Session 3: a hesitation removed from the voice waveform — 0 credits.

Achieving the same result by regenerating the feature three times would have cost three voice generations, at roughly 1 credit per 3 seconds of audio.

Why: credits pay for the creation of the voice, not for reworking files that have already been created. As long as the text does not change, the editor is all you need.

"Preview" plays the mix, "Save" confirms it — at no credit cost
"Preview" plays the mix, "Save" confirms it — at no credit cost Click to enlarge